Nope. Traditional speakers (2-way, 3-way, even 5-way) split the signal into broad bands using analog crossovers, with overlapping driver coverage and inherent phase distortion.

Our system divides the signal into 20+ ultra-narrow, linear-phase,
DSP-controlled bands—each handled by its own driver and amplifier.

We’re not “voicing” the signal—we’re reconstructing the waveform,
component by component, from the original sinusoids in the recording. It’s additive synthesis in the physical domain, grounded in Fourier analysis. The result is full-spectrum playback with extraordinary time-domain fidelity and vanishingly low distortion.

All sound is composed of sinusoids summed in space and time. Zoom in far enough—even to the attosecond level studied by the 2023 Nobel Prize-winning physicists—and you’ll find that even the electron’s energy oscillates in perfect sine form.  It's sine waves all the way down....

Each driver covers roughly a quarter octave, operating well within its
optimal range. This minimizes excursion, distortion, and
intermodulation—and allows each driver to produce smooth, sinusoidal
motion.

That’s the key: drivers naturally excel at producing sinusoids. By
assigning each one a pure slice of the spectrum, we let it perform its
most linear, least stressed motion. The result is clean, efficient,
and phase-accurate output across the entire system.

Instead of asking one driver to do too much, we let each one do a
little—perfectly.

What’s new is the precision, execution, and result.

Conventional systems use overlapping analog crossovers, fixed delays, and shared amplifiers. 

We use:
48 dB/octave linear-phase FIR filters

Digitally controlled delay alignment

Discrete amplification per driver

This means every sinusoidal component arrives in perfect phase—no
ringing, no smear, no crossover artifacts.

And we don’t just claim it—we measure it. And you can hear it.

You’d expect that. But in practice, we hear—and measure—the opposite.

At AXPONA and the Pacific Audio Fest, one of the most common reactions was:

“I can walk around the room and it still sounds balanced.”

Thanks to precise delay matching, controlled directivity, and vertical
alignment, the system produces a wide, stable sweet spot with
consistent imaging and tonal balance—not a “head-in-a-vise”
experience.

Maybe nobody. But audiophiles don’t chase “good enough”—they chase truth.

This system behaves more like a functionally massless transducer. The result is realism, transient speed, and spatial clarity that
traditional designs—even six-figure ones—struggle to reach.

This isn’t about need. It’s about what becomes possible when you stop compromising.

Not in the literal math sense—there’s no FFT/IFT step in the chain outside filters. But conceptually? Absolutely.  Fourier’s principle says any waveform can be constructed from sinusoids. That’s the core idea.

We don’t use broad, overlapping drivers. We rebuild the waveform in
physical space by summing narrowband, sinusoidal motion—driver by driver, slice by slice.

The vertical stack ensures horizontal phase alignment—the summing
plane is directly across your ears. This creates:

Instantaneous summing of sinusoids

Wide, stable sweet spot

Consistent imaging across the room

As for firing upward: yes, that’s deliberate.

Each driver outputs a narrow frequency band with no overlap, so they don’t interfere. Upward-firing placement helps sum the sinusoids cleanly through wavefront interaction, not destructive interference. Traditional wideband drivers cancel. Ours combine.

This may look strange—but it’s precisely engineered acoustic geometry, not a gimmick.

Actually, the opposite.

Each driver plays a narrow, focused band with no overlap. This
drastically reduces acoustic chaos. Combine that with:

Precise DSP phase alignment

Vertical orientation (which controls horizontal dispersion)

…and you get remarkably low room interaction.

Floor and ceiling reflections—the biggest culprits in early
smearing—are minimized. Horizontal output, where your ears live, stays clean and phase coherent.

The result: fewer unwanted reflections, better clarity, and a wider
sweet spot—even in untreated rooms.

Yes. What you’ve seen so far is a prototype.

The production version is in development, with:

Streamlined enclosures

Fully integrated DSP + amplification

Cleaner cable routing

Optional finishes and form factors

The technology is already working. We’re refining the packaging.

Target price: ~$70,000 for the full system—both speakers, DSP, and 40 channels of amplification.

In a world where passive crossover speakers sell for six figures, we
believe this is not just competitive—it’s a revolution in
price-to-performance.

Yes. We’ll be exhibiting at select shows and dealer locations.
Join our mailing list or contact us to schedule a session.

We’re just getting started.

What’s coming:

Custom transducers
Our current drivers are repurposed wideband units. Next-gen will be
purpose-built:

Ultra-low mass

Minimal excursion

Narrowband-optimized

Sculpted enclosures
Slimmer, more efficient, and architecturally elegant forms

Smarter signal distribution
Modular amp/DSP blocks, single-cable daisy-chaining, and auto-room calibration

Upgradeable architecture
Swap DSP profiles, add drivers, scale configurations—all digitally

This isn’t just a speaker.

It’s a new class of acoustic engine—built for the pursuit of perfect
waveform fidelity, in any room, at any level, with zero compromise.

And we’re only beginning.